Street Art Stories highlights the culture, creativity, and impact of street art as a voice for expression and change.
A personal guide on risks, limites and ways to overcome as a beginner.
1. Think in Layers — Not Pressure
Many beginners rely on pressing harder to get bold color. But pressing hard early limits what you can do later. Instead:
Use many thin layers of color, gradually increasing intensity
Let underlying colors interact
Save heavier pressure or blending for the final stages
This kind of glazing/overlay approach gives richness and avoids saturation limits.
2. Reserve Your Highlights Early
Your brightest whites and sparkles are the hardest to recover once covered.
Sketch in highlight zones before you begin layering
Avoid filling those spots until the end, or use masking / pulling techniques
In realistic portraits, it’s common to leave tiny uncolored areas to capture catchlights or shine.
3. Use the Right Paper & Tooth
The paper is your foundation:
Choose a paper with a balanced tooth — enough texture to catch pigment, but smooth enough to layer.
Too rough => limits blending; too smooth => doesn’t hold pigment.
High-quality Bristol, vellum, or drawing papers are great options.
4. Control Pressure with Purpose
Every mark has meaning:
Light pressure for soft transitions, midtones
Medium to heavier pressure for shadows or saturated areas
Shift pressure deliberately, not randomly
Sometimes, holding the pencil farther back forces lighter touch. This is a helpful trick especially in large areas.
5. Blend Strategically (Don’t Overblend)
Blending is powerful — but it can also mute contrast if overused:
Use burnishing or blending tools only when needed
Leave some texture or layering visible for richness
Use solvents selectively in areas that need smooth gradients (e.g. skin, reflective surfaces)
6. Use Subtle Color Shifts & Temperature
Instead of relying on one “skin tone” or “grey,” layer different hues:
Introduce cool/warm shifts subtly (a touch of blue or red in shadow, yellow near light)
Use muted or desaturated colors to avoid garishness
Think in color temperature as you shade — warm light side, cool shadow, etc.
This helps in realism (for car reflections, metal surfaces, glass) where light often brings ambient color shifts.
7. Embrace the Ugly Stage & Patience
Every drawing will go through an awkward, patchy phase. That’s okay.
Trust that layering will unify the piece
Step back, rest, come back fresh
Sometimes less is more — knowing when to stop is part of skill
One artist advice: “Don’t give up when your drawing starts to look ugly — it will, and it’s okay”.
Bonus: Build Your Practice Around Projects
Pick a subject you love (cars, flowers, still life)
Focus one project a month
Blog your progress — layer photos, process, challenges
Over time, you’ll accumulate both technique and narrative that resonates with your audience
Final Thoughts
These “secrets” are not magic, but they are deliberate choices. As you internalize them, your colored pencil practice becomes more confident, controlled, and expressive.